whatofthewarts (
whatofthewarts) wrote2012-07-01 11:48 pm
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Irene Adler had many homes, and many more hiding places, but months after her death Sherlock was certain he'd found at least half those in the country. She had her many stolen jewels tucked away all over the apartment, and it took him the better part of the afternoon to dig them all out of their hidey holes. When he had them in his pockets, he went searching for someone else entirely.
Although they had their obvious differences, given their different environments, Sherlock found it was remarkably easy to track himself down.
"Making headway, I presume?"
Although they had their obvious differences, given their different environments, Sherlock found it was remarkably easy to track himself down.
"Making headway, I presume?"
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Holmes finally does straddle his stomach, to have better leverage as he digs his thumb into the hollow of Sherlock's shoulder, so deep he might be trying to put his finger through the floor.
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/hastiest tag
He digs his middle and forefingers under the dip at the center of Sherlock's clavicle. "What do you think?"
wooh
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It's so terribly fascinating. And Holmes doesn't get any thrill from battering the helpless, but Sherlock is not helpless. He is no victim. So what that makes this, he oesnt know, except that yes: he is enjoying it.
Enough to hook one leg over Sherlock's shoulder while the other presses his ribs. By yanking the man's arm just so, he can flip them over into a classical Greco-Roman hold. It won't hurt nearly as much as the pressure points, and it's more easily fought.
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"Hooks-"
He has memories of those, or maybe something to say about them, but he can't get his breath, can't still his thoughts.
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How curious. He shoves Sherlock down and stands, allowing him room to speak because he does want an answer.
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"Tell me what you know about hooks."
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Making it up a bit, managing to roll over.
"Hooks and needles."
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"What happened to her?"
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Explain that. He knows that he and Sherlock are at least of one mind on all things metaphysical.
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To contextualize it.
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He nods. Makes sense. He's seen priests experience the same.
"Why did she want to do it?"
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He tells him, withdrawing further. He doesn't know 'broken heart' reads as transparently on him as all the rest.
"Dominatrix and sadist. She liked to whip, drug, and choke me now and again, to get me tractable enough to work for her."
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He doesn't smile, but there is a distinct softness in his expression.
"She once drugged me and left me naked and handcuffed to a bed in an upscale hotel."
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He admits, with the strange, defensive stillness back in him again, looking at the ceiling.
"Only not strangers. John and Mycroft. And it was never really nudity, just the- care, I suppose, the narcissism of presumed mutual infatuation."
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This could so easily come off as that 'psychoanalysis' that Sherlock had sneered at. But it's not. It's, if anything, more of a self-analysis. Feelings about Irene were never simple or clear.
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He corrects, simply, still watching the play of firelight over the ceiling.
Another bee materializes, and drops stone dead to the floor, head severed. Another failure.
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Irene is--was--arrogant, and often wrong, but she didn't base her assumptions on empty air.
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Knowing this about Irene has stoked new fascination.
"Show me the scars."
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He informs him, tiredly, already know what's coming next.
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He says it so Sherlock understands the reasoning behind Holmes slamming his heel against the back of Sherlock's knee.
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